A peachy, gilded beauty look: Hibiscus

Photographer Simon Ackerman creates a beautiful expression of bare skin and bare beauty in this exquisite portraiture shoot. Rather than the apparel that covers the body being the focus of the shoot, Ackerman draws attention to the body on which that apparel would sit, and the beauty of the face. Model Michelle Hicks’s soft creamy skin, ocean blue eyes and lips withholding unspoken words, create focus and are defined as where the true beauty lies.

The delicate addition of a low rolled hairstyle studded with flowers – created by Darren Bay – is symbolic of the delicacy found in the curve of the natural female form. Meanwhile, the beauty look by Lindsay Cullen is a picture of blushing femininity that mirrors the colours of the petals.

For steps on recreating the makeup look, read on after the break.

Eyes.

This look uses a beige/neutral base and a gold pigment. Lindsay applied ‘Ricepaper’ eyeshadow by MAC on the brow bone and OCC pigment in ‘Flicker’ at the crease.

Line eyes at the top of the lash and bottom waterline with a brown liner to compliment the gold tone. Lindsay used ‘Coffee’ eyeliner by MAC.

Take an eyeliner brush and swipe just above the top lash liner with an orange/gold shimmer such as Obsessive Compulsive Cosmetics (OCC) ‘Mimosa’ pigment.


Finish with two coats of mascara (for the shoot, Full ‘N Soft waterproof mascara by Maybelline was used).

Brows.

Frame your face with a heavier brow using an angled eyebrow brush and the same brown eyeliner applied throughout the brow.


Lips.

This look compliments the golden hues of the eyes with a coral-peach lip. Lindsay mixed Obsessive Compulsive Cosmetics (OCC) lip tars in ‘Interlace’ palest crème peach and ‘Trollop’ pinked coral.


Finishing touches.

To finish off the look, give the cheeks a rosy-bronze flush. For the shoot, Lindsay used Chanel blush in rose bronze and Laura Mercier bronzer on the apples of the cheeks.

Written by Chevaun Roux for www.fashionising.com 

© Simon Ackerman 2013 - All Rights Reserved

www.simonackerman.co.uk 

Backstage beauty: Derek Lam’s naughty schoolgirls

Backstage at Derek Lam hair is being teased into a deliberate chaos of messy strands, turned into a bouffant shape and then knotted at the base of the neck into what feels like a lived-in style. The fringe is pinned to the side with a girlishness that belies the roughness of the rest. Derek Lam’s fall 2012 girl is youthful and sweet, but a little bit tomboy too. Estee Lauder Creative Makeup Director Tom Pecheux is in charge of creating a beauty look that not only compliments but cements the mood of Lam’s show. Behind-the-scenes he works effortlessly in his trademark hands-on way, each face a canvas that’s whipped into a masterpiece with what seems like a few easy brush-strokes.

Talking to us backstage at New York fashion week he revealed both the inspirations behind the look, and his expert makeup tips for recreating it at home. Read more after the break.

In the mood board of his mind, Tom Pechaux was picturing a “naughty student”. All at once fresh faced but with a defiant haze of smokey eyeshadow, she fits the mould of Derek Lam’s boy-meets-girl, retro infused collection.

Pechaux and the Estee Lauder team used the brand’s new Invisible Fluid Makeup as the foundation for the look. The lightness of the foundation helps create the look of having gorgeous, natural skin. “You use it, you almost don’t feel it, but the skin looks very even,” Pechaux explains. (His number one tip for applying it? Use your fingers.) A little concealer where most needed, and a dusting of Estee Lauder’s Lucidity Translucent powder, and the naturally flawless skin look is complete.

Brows were groomed but with minimal product. Below them eyes were given plenty of pop but in a way suited to the coolness of the season.

“It’s kind of a smokey burgundy-black… more like a boho finish, with a touch of white matte under the eyebrow and in the inside corner of the eyes,” Pechaux describes. “And what we do with the black eyeshadow, we draw some lines like fake lashes under the eyes – to create a naughty look but also a very girly finish.”

Pechaux couldn’t be more right: the illusion of fake lashes under the eyes creates a ’60s schoolgirl vibe that’s as sudden as it is simple to create.

And another tip from the master: use black mascara on the top lashes, brown on the bottom. The black lifts the eye, anchored by the filled-in brown below. Faith in this technique has lead the brand to release a two-tone mascara called Sumptuous Two Tone Eye-Opening Mascara that comes with both colours.

Subtle pastel-coloured lips complete the Derek Lam look. Pechaux and the Estee Lauder team mixed two colours: Crystal Pink and Vanilla Truffle.

Our thanks to Tom Pecheux and the Estee Lauder team for sharing their tips. Written by Tania Braukamper for www.fashionising.com 

© Simon Ackerman 2013 - All Rights Reserved

www.simonackerman.co.uk 

Kye backstage

Here's a selection of my favourite images from backstage at the Kye Spring 2014 show at New York Fashion Week. A nice and varied selection of models to shoot.

© Simon Ackerman 2013 - All Rights Reserved

www.simonackerman.co.uk 

Backstage at Desigual

My shots from backstage at Desigual's Spring 2014 showing at Mercedes-Benz Fashion Week in New York where the models where as much fun behind the scenes as they where on the runway. 

© Simon Ackerman 2013 - All Rights Reserved 

www.simonackerman.co.uk